Showing posts with label History of Indigo. Show all posts
Showing posts with label History of Indigo. Show all posts

Sunday, 15 December 2013

"Indigo - the king of dyes" by Frances Brown


The practice of dying with indigo is an incredibly rich cultural tradition, with each region of the world having its own unique methods, beliefs and rituals as part of the process.
Woven linen fabric with indigo dyed borders survives from the Egyptian tombs dating from around 2400 BC . Reference to blue cloth being traded by the merchants of Sheba (now Yemen) can be found in the Old Testament. Wool and cotton tie dyed and resist dyed fabrics found in Mali date back to the 11th century.  And these are but a few examples.
Fermented or bacterial indigo has been used as a dye since antiquity, after it was discovered that indigo leaves left to rot in urine would release colour and create a green solution. When soaked in this solution, natural fibres will then turn from green to blue when exposed to air.
The main plant genus that have been traditionally used for indigo dying are Indigofera, Polygonum,  Lochocarpus and Isatis. These plants contain the chemical compound indican in their leaves.
Indigofera tinctoria belongs to the Leguminosae family, has light green foliage and pea like flowers and is native to India, China and parts of South America. The process of fermenting releases the dye.
Isatis tinctoria or Woad is a cool climate plant that has been grown commercially in Europe since medieval times. During the Middle Ages, woad was grown in abundance to supply the local weaving industry in Europe
Polygonum tinctorium also known as  Japanese indigo, Chinese indigo or dyers’ knotweed, is often cultivated concurrently with Indigofera in China and Japan.
In Western Africa the Yoruba people use Lonchocarpus cyanescens to dye their intricate paste resist clothing, in shades of dark and light blue

Information from Prideaux, Vivien 2003, “A Handbook of Indigo Dying” Search Press Limited, Kent , UK



Friday, 25 October 2013

Indigo - A colour steeped in history, a mood tinged with blues

The Press Gang is pleased to announce that their Indigo themed group exhibition of contemporary printmaking is to be held from 9 - 21 December 2013.

Indigo is a natural colour dye with an chequered history, from being the colour of royalty, including the ancient pharaohs and mummies to the modern day worker's blue jeans.  The world's most valued and widely used dyestuff since its use in antiquity, Indigo has proved a rich source of inspiration for our forthcoming exhibition of contemporary printmaking. 


Individual interpretations of Indigo encompass trade history (the Silk Road), nature's curiosities (indigo mushroom, indigo bird, indigo plant) and abstract works and portraits printed in vivid or subtly muted indigo ink.


This is the third display of The Press Gang, resident printmakers for over two years at the wonderful venue, Wallarobba. The group, from many different creative backgrounds and walks of life, share their mutual interest and collaborative endeavours.


Selecting Indigo as the group's 2013 theme, has conjured up many cultural, exotic design and artistic possibilities. The resulting concepts are a multi-layered and rich vision.


The Indigo exhibition is to be held at Wallarobba Arts and Cultural Centre, a beautiful heritage mansion located at  21 Edgeworth David Avenue, Hornsby, rear of Willow Park


Open Monday 9th December 12 noon to 4pm

Tuesday 10th December to Saturday 21st December 2013,  10am to 4pm daily.

Official Opening by Printmaker Roslyn Kean on Wednesday 11th December 2013 at 7pm.  All welcome.

Free Admission. Parking, wheelchair access and lift.




Judith Miller (2013) Untitled, monoprint

From the artists.....

I was inspired by the elements of wind and water. The continuous flow of waves, and the depth in colour of the oceans with the wind blowing was the perfect choice for my Indigo project.  Marianne Vidal Potts

The colour of royalty and of fading blue jeans; its uses span centuries and continents. Indigo is all this and more - a rich source of inspiration for artists.  Judith Miller

My printmaking is a spontaneous reaction to the process, where the risks promote further investigation. But mostly, it is the collaboration within a group of people with mutual interests and endeavours.  June Lord

For my relief printmaking I have used wood, lino and vinyl.  I have chosen birds that I have observed along the Myall River and in the deserts of Central Australia. The colour indigo is in my desert birds and in the river.   Helen Sillar

My work is a multi-layered print made with a woodcut, collagraph and drypoint inspired by the ancient silk route and maps made by the early scholars such as Cresques Abraham.  Lisa McArthur-Edwards

Indigo!  A colour seeped in history over thousands of years. A colour to inspire any artistic endeavour.  Ann Condon

The form and colour of Snow Gums has inspired my Japanese woodblock printing - Indigo colour seems to suit the images.  John Crawford

What I love about printmaking is that there are endless possibilities of method and experimentation. For our next exhibition, the colour Indigo conjours up so many cultural and historical design elements. Our group experience is a wonderful melting-pot of trial and inspiration.  Michelle Mabbott

I have always thought of Indigo as a somewhat magical colour - appearing on the spectrum between blue and violet, yet neither one nor the other. I have used the interesting form of the Australian indigo plant, and also the swirling patterns of an antique vase as my subjects for Indigo. Frances Brown